Tr.1
«Eighth Wonder — I’m Not Scared — Maxi Single»
10 Music, Ltd. / Cage Music, Ltd. / Produced by Pet Shop Boys and Phil Harding
CBS Records, Inc., 1988
CBS 651 359 6
Tr.2
«One Thing» Tyr / SBK-Songs / T. Anders Songs
Produced by Thomas Anders and Marc Cassandra
Recorded at Sound Studio N. Cologne June ‘89 by Gunther Kasper
Mixed at Wisseloord Studios, Hilversum July ‘89, by Ronald Prent
A Warner Communications Company / Teldec Record Service, GmbH., 1989
2292-46737-0 AE
Tr.3
«Maxi-Single» All Boys Music, Ltd.
Produced by Stock, Aitken, Waterman / Mixed by Mixmaster Pete Hammond / RCA
BMG Records (UK), Ltd., 1987
PT 41 448
Tr.4
«Only You» Ed. Lombardoni-Camomilla / Production Robix
Carrere / Disco Magic, 1984
8432
Tr.5
«Maxi-Single» Music Concept and vocals by Rob & Fab (Brothers of Soul)
Far M.V. / Produced by Frank Farian for Far Music Production
HANSA, 1989 / BMG Ariola Munchen, GmbH., 1989
612 647
Tr.6
«Magic Symphony» An Original Hansa Recording
Produced and Arranged by Dieter Bohlen / Co-Producer by Luis Rodriguez
Remix by Dave Ford for PWL / RCA
BMG Ariola Munich, GmbH., 1990 / BMG Records (UK), Ltd., 1990
PT 43734
Tr.7
«Maxi-Single» Produced by Yello & Ursli Weber
Music Composed and Arranged by Boris Blank / Lyrics by Dieter Meier / Vertigo
Phonogram, GmbH., 1983
814 611-1
TTP: 44:24 min.
Tr. 1 — 7 from «Penthouse 45 — # 1 (one session)» code: 02490-1; date: 5 — 9.01.2009
T3 Process, Reproduction & Compilation: code: 02136-1; date: 23.03.2026 (tr. 1 — 5) & 24.03.2026 (tr. 6 & 7).
T3 Process
Three stages — one result
Why this process is compelling
It gives access to material absent from the digital domain — some vinyl records were never reissued.
The essence is not the transfer, but the sound work.
Maximum information is extracted from the groove: microdynamics are refined, time structure is stabilized, and medium and chain artifacts are reduced.
The result is a master that preserves the original character, yet is more precise and informative.
Fixation in CD-DA is a stable, controlled form.
This is not digitization — it is reconstruction and fixation of sound in its most readable state.
Who this may appeal to
— those seeking rare material absent from the digital domain
— those who perceive differences in microdynamics and timing
— those who value accuracy over format convenience
— those who believe vinyl and tape are incompatible with digital media
How it is achieved
Accuracy starts with mechanics: stable reading with minimal correction.
The key stage — Tape Treatment:
— a tape machine with correction, where timing is structured, microdynamics are formed, and signal integrity is refined.
The principle is not to «enhance», but to remove what prevents the original from being heard.
Final stage — fixation:
— clean, linear capture in CD-DA without repeated conversions
Why it is audible
Audibility comes not from addition, but from alignment.
When timing is stabilized, microdynamics are refined, and artifacts are reduced, the sound ceases to fragment and is perceived as a coherent structure.
In this state, detail, space, and natural articulation become apparent without effortful listening.
Coda:
This is perceived as ease of listening, the sound fully раскрывается (fully reveals itself), yet never becomes fatiguing, remaining coherent and whole.
© DSE/PSL Project, 2026
45 RPM — a format with higher linear velocity and more precise tracking.
Improved tracking conditions provide more stable reproduction of high frequencies and fast transients.
Within the T3 process (Transfer — Tape Treatment — Transfer), additional temporal coherence is achieved,
and the result is fixed in discrete-time form while preserving dynamic accuracy
