Remastered & Reproduced by PolyDan Sound Laboratory (PSL)

Remastered (2010–2013):
Revealing hidden sonic information, enhancing density and depth of the soundstage, improving dynamics and accuracy

Reproduced (2025):
Expanding the remaster, increasing panorama and upper harmonics, elevating key tracks, creating spaciousness and air, fully realizing the sonic potential

Tr. 1 & 2 from «Expert-S — Marillion — It Is Not An Illusion # 1»: Sound: 10 — 19 & 24 — 25.08.2011

Tr. 3 from «Expert-S — ELO — Alien Force # 1»: Sound: 29 & 30.11 & 1 — 6.12.2012

Tr. 4 & 5 from «Expert-S — Eventually»: Sound: 28 — 31.08.2013

Tr. 6 from «High End Series — Last Point # 49» Sound: 3 — 6.01.2010

Compilation: 8.10.2025 (tr. 1 — 5); 2.08.2025 (tr. 6)

Total Time Playing: 43:18 min.

Composite Pro
High Definition
Mode: CD-Audio

No EQ, no compressions or digital dynamic manipulations added to this mastering process

Secure with no C2 Accurate stream Disable cache

The Ultimate sound quality

Limited Edition

All tracks have been remade directly to 2-track tape

Recording tape speed 15 i.p.s.

This product is manufactured on demand using CD recordable media

mode: CD Audio
start of the project in 2024

Tr.1 & 2
Sound from the Expert-S Series: «Marillion — It Is Not An Illusion (part 1)»
«FUGAZI» Produced by NICK TAUBER
Recorded and mixed by SIMON HANHART
Recorded: November — December 1983 and January — February 1984
at Manor studio, Sarm East, EEL Pie and Maison Rouge studios
EMI United Kingdom
Original sound recordings made by EMI Records, Ltd., 1984
EMI Records, Ltd., 1984

Tr. 3
Sound from the Expert-S Series: «Electric Light Orchestra — Alien Force (part 1)»
«TIME» Produced by Jeff Lynne
EMI April Music, Inc. (ASCAP), 1981

Tr. 4
Sound from the Expert-S Series: «Eventually»
«Believe» Produced by Nick Barrett & Karl Groom
Pendragon Toff Records, 2005

Tr. 5
Sound from the Expert-S Series: «Eventually»
«Spock’s Beard» Produced by Spock’s Beard
Inside Out Music, 2006

Tr. 6
Sound from the High-End Series: «Last Point # 49»
«Metallica» Creeping Death Music (ASCAP), 1991
Phonogram / Vertigo
Produced by Bob Rock with Hatfield & Ulrich
Recorded at One on One Recording, Los Angeles, October ‘90 — June ‘91
Metallica, 1991

SOUND CONTROL (tr. 1 & 2)

ACOUSTIC SYSTEM: TANNOY — PRESTIGE CANTERBURY SE /England/
AMPLIFIER: AUDION — SILVER NIGHT — 4 MONO BLOCKS /England/
CABLE: WIREWORLD — ATLANTIS 5 /U.S.A./
CD TRANSPORT — SUGDEN “STANFORD” + DAC — AUDION /England/
POWER CABLE: CARDAS — QUADLINC /U.S.A./

SOUND CONTROL (tr. 3, 4 & 5)

ACOUSTIC SYSTEM: TANNOY — PRESTIGE CANTERBURY SE /England/
AMPLIFIER: AUDION — SILVER NIGHT — 4 MONO BLOCKS /England/
POWER CABLE: YTER /Italy/
DRIVE: ESOTERIC P-70vu /Japan/ + DAC — AUDION /England/
CONNECTORS CABLE: YTER /Italy/

SOUND CONTROL (tr. 6)

CD TRANSPORT: 47 LABORATORY — 4713 Flatfish /Japan/
DAC: 47 LABORATORY — 4705 Progression /Japan/
POWER CABLE: YTER /Italy/
ACOUSTIC SYSTEM: LOWTHER — THE DELPHIC (PM2A + DX2) /England/
PREAMPLIFIER: LEBEN — RS28CX /Japan/
POWER AMPLIFIER: LEBEN — CS1000P /Japan/
CONNECTORS CABLE: YTER /Italy/

WARNING!
This record should be played through «Direct Line» (Straight Line)
option of your amplifier to achieve the best performance