Featuring:
— ABBA
— The Bee Gees Band
— Andy Gibb
— Boney M
Tr. 1
Produced and Arranged by Benny Andersson & Bjorn Ulvaeus / Engineered by Michael B. Tretow
Tr. 2
Produced by The Bee Gees, Karl Richardson and Albhy Galuten,
by Arrangement with The Robert Stigwood Organisation
Boneroo Horns: Peter, Whit, Kenny, Neil, Bob, Bill
Tr. 3
Produced by Barry Gibb, Karl Richardson and Albhy Galuten
for Karlbhy Productions and Barry Gibb Productions
Tr. 4 & 5
Produced by Frank Farian / Arranged by Steven Hammer
Recorded at Union Studios, Munich & Europasound Studio, Frankfurt
Tr. 6
4/78, a Frank Farian production
Recorded at:
— Europasound Studios Offenbach
— Union Studios, Munich
Engineers: Tammy Grohe; Fred Schreier; Hartmut Plannmüller; John Lund
Tr. 7
2-8/79, a Frank Farian production
Recorded at:
— Europasound Studios, Friedrichsdorf
— Union Studios, Munich
Engineers: Fred Schreier; Michael Bestman; Tammy Grohe
Tr. 8
80-81, a Frank Farian production
Recorded at:
— Abbey Road Studios
— AIR Studios
As well as studios in:
— Berlin, Munich, Nice, Jamaica
— Tuff Gong Studios in Kingston
— Hitsville Studios in Hollywood, USA
Engineers: Tammy Grohe
Additional Musicians: London Philharmonic Orchestra
— Composite Pro
— High Definition
— Mode: CD-Audio
Demonstration sample not for sale to the general public
PROGRAMME PASSPORT
Programme: DSE/PSL Archive
Purpose: Accurate presentation of sound information
Format: CD Audio
Archive Series: 4-th Life
Work: DSE/PSL
Country: UA
DSE/PSL Archives — Technology for the Precise Revelation of Sound Information
A sound recording contains a certain amount of sound information.
During reproduction, this information may be revealed with different degrees of completeness and accuracy.
DSE/PSL Archives are created for the successive revelation of the sound information contained in a recording,
with an emphasis on the accuracy of its transmission and direct auditory perception.
This is not ordinary copying of a sound recording.
The work begins with the selection of the source material, followed by a successive process
of working with its sound information.
The final result is fixed onto the final medium — CD Audio.
The specific technical methodology of the process is not disclosed.
DSE/PSL Archive programmes are intended for the accurate presentation of sound information.
They may be used for professional listening, sound comparison and analysis, work with audio systems,
as well as for other tasks where the accuracy of reproduction is of fundamental importance.
For an audio system, the sound material used for its presentation is important.
The higher the requirements placed on the system, the more precisely defined the material must be
in order to make its capabilities and the differences between components and configurations audible.
For this reason, a DSE/PSL Archive programme can be used as
working material for the accurate presentation of an audio system.
The purpose of a DSE/PSL Archive programme is to reveal the sound information contained in
the original recording as accurately as possible and to fix the resulting outcome on CD Audio
