Tr.1
«Rackety Ride» Produced by Christoph Leis-Bendorff for K.B.C.
Recorded and Mixed at «Tonstudio Am Walde» / B. Mikulski Publ.
ZYX Records, 1987
5662
Tr.2
«45 RPM — Promotion Copy Only-Not For Resale»
Produced and Arranged by Dieter Bohlen for Intersong, an Original Hansa Recording
Ariola Eurodisc, GmbH., 1986
PT40876DJ
Tr.3
«Yes Sir I Can Boogie — 1990 Version / Taken from the Forthcoming Album F.U.N.»
Produced by Martin Colgan / Executive Production by Pierre Laurin and Jimmy Lim
Recorded at Falconer Studios — London / Mixed at Ctf Music Studios — Nottingham
Engineered by Martin Gillman / Published by Rtl — Louvigny (UK)
Original Publisher: Magazine Music — (West Germany)
2 Summers Records, 90
12 SUMM 1
Tr.4
«Aus Der LP «Rivalen Der Rennbahn — 209 604 — Maxi-Single 45t.»
Hanseatic / Produced and Arranged by Dieter Bohlen / Co-Producer: Luis Rodriguez
HANSA, 1989 / BMG Ariola Munchen, GmbH., 1989
612 041
Tr.5
«I’m A Model (Tonight’s the Night)»
Produced and Arranged by H.Faltermeyer / Antenna Music Production
Special Effects by Pete Fairry / Kilauea Musikverlag, GmbH.
CBS Schallplatten, GmbH., Germany, 1984
CBS 12.4353
Tr.6
«Angel of the Dreamland» Hanseatic / B. Mikulski Publ.
Produced by Cay Hume for K.B.C. Records / ZYX Recorded and Mixed at Tonstudio Am Walde
ZYX Records, 1987
5753
Tr.7
«Maxi-Single 45t.» Hanseatic
Produced for Intersong by M. Menichelli / Mixed by Bobby to At Star Studio
Ariola Eurodisc, GmbH., 1986
602 130-213
Tr.8
«Maxi-Single 45t.»
Produced by Luis Rodriguez & Bernd Daumichen / Hansa M.V.
Hansa, 1988 / BMG Ariola Munchen, GmbH., 1988
609 773
Tr.9
«Maxi-Single 45 RPM» Hansa M.V. / Hanseatic / Ariola
Produced and Arranged by Dieter Bohlen for Intersong, Hansa / Co-Producer: Luis Rodriguez
Ariola Eurodisc S.A., Espana / Hansa International, GmbH., 1987
609 138
TTP: 46:03 min.
Tr. 1 & 2 from «Mirage 45 — # 4 (one session)» code: 02498-1; date: 26.01.- 6.02.2009
Tr. 3 — 9 from «Mirage 45 — # 5 (one session)» code: 02499-1; date: 27.01.- 8.02.2009
T3 Process
Three stages — one result
Why this process is compelling
It gives access to material absent from the digital domain — some vinyl records were never reissued.
The essence is not the transfer, but the sound work.
Maximum information is extracted from the groove: microdynamics are refined, time structure is stabilized, and medium and chain artifacts are reduced.
The result is a master that preserves the original character, yet is more precise and informative.
Fixation in CD-DA is a stable, controlled form.
This is not digitization — it is reconstruction and fixation of sound in its most readable state.
Who this may appeal to
— those seeking rare material absent from the digital domain
— those who perceive differences in microdynamics and timing
— those who value accuracy over format convenience
— those who believe vinyl and tape are incompatible with digital media
How it is achieved
Accuracy starts with mechanics: stable reading with minimal correction.
The key stage — Tape Treatment:
— a tape machine with correction, where timing is structured, microdynamics are formed, and signal integrity is refined.
The principle is not to «enhance», but to remove what prevents the original from being heard.
Final stage — fixation:
— clean, linear capture in CD-DA without repeated conversions
Why it is audible
Audibility comes not from addition, but from alignment.
When timing is stabilized, microdynamics are refined, and artifacts are reduced, the sound ceases to fragment and is perceived as a coherent structure.
In this state, detail, space, and natural articulation become apparent without effortful listening.
Coda:
This is perceived as ease of listening, the sound fully раскрывается (fully reveals itself), yet never becomes fatiguing, remaining coherent and whole.
© DSE/PSL Project, 2026
45 RPM — a format with higher linear velocity and more precise tracking.
Improved tracking conditions provide more stable reproduction of high frequencies and fast transients.
Within the T3 process (Transfer — Tape Treatment — Transfer), additional temporal coherence is achieved,
and the result is fixed in discrete-time form while preserving dynamic accuracy









